The performing arts in medieval Islam : shadow play and popular poetry in Ibn Daniyal's Mamluk Cairo / Li Guo.
نوع المادة :
نصالسلاسل:Islamic history and civilization ; v. 93.الناشر:Leiden ; Boston : Brill, 2012وصف:xi, 240 pages ; 25 cmنوع المحتوى:- text
- unmediated
- volume
- 9789004210455 (hbk)
- 9004210458 (hbk)
- 9789004218802
- 9004218807
- Ibn Dānīyāl, Muhammad, 1249 or 50-1310 or 11. Tayf al-khayāl fī maʻrifat khayāl al-zill. English
- PJ7760.I185 Z86 2012
| نوع المادة | المكتبة الحالية | رقم الطلب | رقم النسخة | حالة | تاريخ الإستحقاق | الباركود | |
|---|---|---|---|---|---|---|---|
كتاب
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UAE Federation Library | مكتبة اتحاد الإمارات General Collection | المجموعات العامة | PJ7760.I185 Z86 2012 (إستعراض الرف(يفتح أدناه)) | C.1 | Library Use Only | داخل المكتبة فقط | 30010000400461 |
Browsing UAE Federation Library | مكتبة اتحاد الإمارات shelves, Shelving location: General Collection | المجموعات العامة إغلاق مستعرض الرف(يخفي مستعرض الرف)
| PJ7760.I153 .I266 2004 الجوالات من شعر مالك بن المرحل الأندلسي 604-699 هـ / | PJ7760.I17 A17 2006 ديوان ابن الوردي / | PJ7760.I17 A17 2006 ديوان ابن الوردي / | PJ7760.I185 Z86 2012 The performing arts in medieval Islam : shadow play and popular poetry in Ibn Daniyal's Mamluk Cairo / | PJ7760.I22 A17 1984 ديوان الصبابة / | PJ7760.I22 A17 1984 ديوان الصبابة / | PJ7760.I22 A173 1987 ديوان الصبابة / |
Includes bibliographical references and index.
Life as a play. Eye doctor and street buffoon -- Court panegyrist and jester -- Satirist and shadow playwright -- Legacy and controversy. The making of the Arabic shadow play -- The ornament of the poetry -- The many faces of a performer -- The play. The phantom: a shadow play.
This is a study of the life and work of Ibn Dāniyāl (d. 1310), a Cairo-based eye doctor, poet, playwright, court jester, and arguably one of the most controversial cultural figures of his time. Drawing on medieval Arabic sources, many still in manuscript and some used for the first time, the author further contextualizes Ibn Dāniyāl{u2019}s work with respect to poetry production and popular culture in the Islamic Near East in the post-Mongol period. The book also presents the first full English translation of 2The Phantom,3 one of Ibn Dāniyāl{u2019}s three shadow plays, the only surviving pre-Ottoman Arabic theatrical texts.
