عرض عادي

Frames of friction : black genealogies, white hegemony, and the essay as critical intervention / Carsten Junker.

بواسطة:نوع المادة : نصنصالسلاسل:North American studies ; Bd. 27الناشر:Frankfurt ; New York : Campus Verlag, [2010]تاريخ حقوق النشر: copyright 2010وصف:294 pages ; 22 cmنوع المحتوى:
  • text
نوع الوسائط:
  • unmediated
نوع الناقل:
  • volume
تدمك:
  • 359339099X (pbk)
  • 9783593390994 (pbk)
الموضوع:تصنيف مكتبة الكونجرس:
  • PS153.N5 J86 2010
ملخص:In Frames of Friction, Carsten Junker maps out a dazzling panorama of critical cultural debates from the twentieth century to explore the ways in which African American speakers and writers established their authority and gained recognition. Taking into account the latest ideas from gender studies and African American studies, as well as current essay theory, Junker juxtaposes the ways in which African American authors and speakers from the 1920s to the 1970s debated critical topics with their white and Jewish contemporaries in order to emphasize the dialogic nature of the essay form. Ultimately, Junker hones in on the genre of essay itself, arguing that it is repeatedly questioned and reconstituted during times of social change.
المقتنيات
نوع المادة المكتبة الحالية رقم الطلب رقم النسخة حالة تاريخ الإستحقاق الباركود
كتاب كتاب UAE Federation Library | مكتبة اتحاد الإمارات General Collection | المجموعات العامة PS153.N5 J86 2010 (إستعراض الرف(يفتح أدناه)) C.1 Library Use Only | داخل المكتبة فقط 300100325327
كتاب كتاب UAE Federation Library | مكتبة اتحاد الإمارات General Collection | المجموعات العامة PS153.N5 J86 2010 (إستعراض الرف(يفتح أدناه)) C.2 المتاح 300100325328

Includes bibliographical references and index.

In Frames of Friction, Carsten Junker maps out a dazzling panorama of critical cultural debates from the twentieth century to explore the ways in which African American speakers and writers established their authority and gained recognition. Taking into account the latest ideas from gender studies and African American studies, as well as current essay theory, Junker juxtaposes the ways in which African American authors and speakers from the 1920s to the 1970s debated critical topics with their white and Jewish contemporaries in order to emphasize the dialogic nature of the essay form. Ultimately, Junker hones in on the genre of essay itself, arguing that it is repeatedly questioned and reconstituted during times of social change.

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