Eccentric objects : rethinking sculpture in 1960s America / Jo Applin.
نوع المادة :![نص](/opac-tmpl/lib/famfamfam/BK.png)
- text
- unmediated
- volume
- 9780300181982 (cl : alk. paper)
- 0300181981 (cl : alk. paper)
- NB212 .A67 2012
نوع المادة | المكتبة الحالية | رقم الطلب | رقم النسخة | حالة | تاريخ الإستحقاق | الباركود | |
---|---|---|---|---|---|---|---|
![]() |
UAE Federation Library | مكتبة اتحاد الإمارات General Collection | المجموعات العامة | NB212 .A67 2012 (إستعراض الرف(يفتح أدناه)) | C.1 | Library Use Only | داخل المكتبة فقط | 30010011138403 | ||
![]() |
UAE Federation Library | مكتبة اتحاد الإمارات General Collection | المجموعات العامة | NB212 .A67 2012 (إستعراض الرف(يفتح أدناه)) | C.2 | المتاح | 30010011138404 |
Browsing UAE Federation Library | مكتبة اتحاد الإمارات shelves, Shelving location: General Collection | المجموعات العامة إغلاق مستعرض الرف(يخفي مستعرض الرف)
NA9415.F6 E47 2019 The politics of water in the art and festivals of Medici Florence : from Neptune Fountain to Naumachia / | NB198 .R412 1994 النحت الحديث : تاريخ موجز / | NB198 .R412 1994 النحت الحديث : تاريخ موجز / | NB212 .A67 2012 Eccentric objects : rethinking sculpture in 1960s America / | NB212 .A67 2012 Eccentric objects : rethinking sculpture in 1960s America / | NB237.B675 A4 2012 Color and form : the geometric sculptures of Morton C. Bradley Jr. / | NB237.B675 A4 2012 Color and form : the geometric sculptures of Morton C. Bradley Jr. / |
Includes bibliographical references and index.
Local histories -- "Threatening, and possibly functioning objects": Lee Bontecou -- Gross anthropomorphism: Claes Oldenburg -- Encrypted objects: Lucas Samaras -- Bric-a-brac: H.C. Westermann -- Hauntings: Bruce Nauman -- Looking sideways at the sixties.
"In America during the 1960s, sculpture as an artistic practice underwent a series of radical transformations. Artists including Lee Bontecou, Claes Oldenburg, Lucas Samaras, H.C. Westermann, and Bruce Nauman offered alternative ways of imagining the three-dimensional object. The objects they created were variously described as erotic, soft, figurative, aggressive, bodily, or, in the words of the critic Lucy Lippard, "eccentric." Looking beyond the familiar and canonic artworks of the 1960s, the book challenges not only how we think about these artists, but how we learn to look at the more familiar narratives of 1960s sculpture, such as Pop and Minimalism. Ambivalent and disruptive, the work of this decade articulated a radical renegotiation--rejection, even--of contemporary paradigms of sculptural practice. This invigorating study explores that shift and the ways in which the kinds of work made in this period defied established categories and questioned the criteria for thinking about sculpture."--Publisher's website.