عرض عادي

Mesmerism, Medusa, and the muse : the romantic discourse of spontaneous creativity / Anne DeLong.

بواسطة:نوع المادة : نصنصالناشر:Lanham, Md. : Lexington Books, [2012]تاريخ حقوق النشر: ©2012وصف:170 pages ; 24 cmنوع المحتوى:
  • text
نوع الوسائط:
  • unmediated
نوع الناقل:
  • volume
تدمك:
  • 9780739170434
  • 0739170430
  • 9780739170441
  • 0739170449
الموضوع:تصنيف مكتبة الكونجرس:
  • PR468.M47 D45 2012
المحتويات:
Acknowledgments -- Introduction Opium Dreams: Romantic Poetry and Spontaneous Creativity -- Chapter 1. Romantic Improvisation: The Discourse of Spontaneity and the Anxiety of Inspiration -- Chapter 2. Animal Magnetism: Mesmerism in the Shelley Circle -- Chapter 3. Mesmeric Muses: Galvanic Maniacs and Somnambulant Zombies -- Chapter 4. The Medusan Muse: Speaking Eyes and Snaking Veins -- Chapter 5. The Gazing Eye, the Speaking I, and the Assenting Ay -- Bibliography -- Index -- About the Author.
ملخص:Mesmerism, Medusa, and the Muse: The Romantic Discourse of Spontaneous Creativity explores the connections among the Romantic discourse of spontaneous literary creativity, the nineteenth-century cultural practice of mesmerism, and the mythical Medusa as an icon of the gendered gaze. An analysis of Medusan mesmerism in the poetry of Mary Robinson, Samuel Taylor Coleridge, Percy Bysshe Shelley, and Letitia Elizabeth Landon (L. E. L.) and the prose of Mary Shelley reveals that these Romantic-era writer equate the enraptured stare that produces spontaneous literary creation will, the mesmeric trance. Those writers employ Medusan imagery to portray both the mesmerist and the mesmerized subject, a conflation of subject/object positions that complicates issues of agency, subjectivity, and gender. Building on recent scholarship about improvisational poetics, the subversive potential of mesmerism, and Medusa as a feminist icon, this work suggests that the mesmeric Medusan muse not only enables creativity for women writers but also provides a mirror in which they view (and through which they give voice to) their own societal oppression. The mesmeric Medusan muse in Romantic-era literature {OCLCbr#96}from the Ancient Mariner and the Frankenstein monster to the tragic, abandoned Sapphic poetess-often represents the face of oppression, an unwelcome and monstrous truth in nineteenth century British society For women writers in particular, braving the stare of the Medusan muse enhances empathy and therefore inspiration.
المقتنيات
نوع المادة المكتبة الحالية رقم الطلب رقم النسخة حالة تاريخ الإستحقاق الباركود
كتاب كتاب UAE Federation Library | مكتبة اتحاد الإمارات General Collection | المجموعات العامة PR468.M47 D45 2012 (إستعراض الرف(يفتح أدناه)) C.1 Library Use Only | داخل المكتبة فقط 30020000015946
كتاب كتاب UAE Federation Library | مكتبة اتحاد الإمارات General Collection | المجموعات العامة PR468.M47 D45 2012 (إستعراض الرف(يفتح أدناه)) C.2 المتاح 30020000015947

Includes bibliographical references and index.

Acknowledgments -- Introduction Opium Dreams: Romantic Poetry and Spontaneous Creativity -- Chapter 1. Romantic Improvisation: The Discourse of Spontaneity and the Anxiety of Inspiration -- Chapter 2. Animal Magnetism: Mesmerism in the Shelley Circle -- Chapter 3. Mesmeric Muses: Galvanic Maniacs and Somnambulant Zombies -- Chapter 4. The Medusan Muse: Speaking Eyes and Snaking Veins -- Chapter 5. The Gazing Eye, the Speaking I, and the Assenting Ay -- Bibliography -- Index -- About the Author.

Mesmerism, Medusa, and the Muse: The Romantic Discourse of Spontaneous Creativity explores the connections among the Romantic discourse of spontaneous literary creativity, the nineteenth-century cultural practice of mesmerism, and the mythical Medusa as an icon of the gendered gaze. An analysis of Medusan mesmerism in the poetry of Mary Robinson, Samuel Taylor Coleridge, Percy Bysshe Shelley, and Letitia Elizabeth Landon (L. E. L.) and the prose of Mary Shelley reveals that these Romantic-era writer equate the enraptured stare that produces spontaneous literary creation will, the mesmeric trance. Those writers employ Medusan imagery to portray both the mesmerist and the mesmerized subject, a conflation of subject/object positions that complicates issues of agency, subjectivity, and gender. Building on recent scholarship about improvisational poetics, the subversive potential of mesmerism, and Medusa as a feminist icon, this work suggests that the mesmeric Medusan muse not only enables creativity for women writers but also provides a mirror in which they view (and through which they give voice to) their own societal oppression. The mesmeric Medusan muse in Romantic-era literature {OCLCbr#96}from the Ancient Mariner and the Frankenstein monster to the tragic, abandoned Sapphic poetess-often represents the face of oppression, an unwelcome and monstrous truth in nineteenth century British society For women writers in particular, braving the stare of the Medusan muse enhances empathy and therefore inspiration.

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