Quarter notes and bank notes : the economics of music composition in the eighteenth and nineteenth centuries / F.M. Scherer.
نوع المادة :![نص](/opac-tmpl/lib/famfamfam/BK.png)
- text
- unmediated
- volume
- 0691116210
- 9780691116211
- 0691155461
- 9780691155463
- ML3795 .S238 2004
نوع المادة | المكتبة الحالية | رقم الطلب | رقم النسخة | حالة | تاريخ الإستحقاق | الباركود | |
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UAE Federation Library | مكتبة اتحاد الإمارات General Collection | المجموعات العامة | ML3795 .S238 2004 (إستعراض الرف(يفتح أدناه)) | C.1 | Library Use Only | داخل المكتبة فقط | 30010011142405 | ||
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UAE Federation Library | مكتبة اتحاد الإمارات General Collection | المجموعات العامة | ML3795 .S238 2004 (إستعراض الرف(يفتح أدناه)) | C.2 | المتاح | 30010011142406 |
Browsing UAE Federation Library | مكتبة اتحاد الإمارات shelves, Shelving location: General Collection | المجموعات العامة إغلاق مستعرض الرف(يخفي مستعرض الرف)
ML3795 .B33 2013 Music business handbook and career guide / | ML3795 .C377 2019 Music business careers : career duality in the creative industries / | ML3795 .C377 2019 Music business careers : career duality in the creative industries / | ML3795 .S238 2004 Quarter notes and bank notes : the economics of music composition in the eighteenth and nineteenth centuries / | ML3795 .S238 2004 Quarter notes and bank notes : the economics of music composition in the eighteenth and nineteenth centuries / | ML3795 S553 2010 The sociology of music | ML3795 S553 2010 The sociology of music |
Includes bibliographical references (pages 249-258) and index.
Introduction -- The political, social, and economic milieu -- Music composition as a profession -- Composers' backgrounds, aspirations, and economic rewards -- The geography of composer supply and demand -- Changes in transportation and composers' mobility -- The economics of music publishing -- Conclusion.
"F. M. Scherer examines the political, intellectual, and economic roots of the shift from patronage to a freelance market. He describes the eighteenth-century cultural "arms race" among noble courts, the spread of private concert halls and opera houses, the increasing attendance of middle-class music lovers, and the founding of conservatories. He analyzes changing trends in how composers acquired their skills and earned their living, examining such factors as demographic developments and new modes of transportation.
"The book offers insight into the diversity of composers' economic aspirations, the strategies through which they pursued such success, the burgeoning music publishing industry, and the emergence of copyright protection. This account is directed toward individuals intrigued by the world of classical composers as well as those interested in economic history of the role of money in art."--Jacket.