Animation and America / Paul Wells.
نوع المادة : نصالسلاسل:BAAS paperbacksالناشر:Edinburgh : Edinburgh University Press, [2002]تاريخ حقوق النشر: ©2002وصف:185 pages ; 22 cmنوع المحتوى:- text
- unmediated
- volume
- 1853312037
- 9781853312038
- PN1997.5 .W455 2002
نوع المادة | المكتبة الحالية | رقم الطلب | رقم النسخة | حالة | تاريخ الإستحقاق | الباركود | |
---|---|---|---|---|---|---|---|
كتاب | UAE Federation Library | مكتبة اتحاد الإمارات General Collection | المجموعات العامة | PN1997.5 .W455 2002 (إستعراض الرف(يفتح أدناه)) | C.1 | المتاح | 30020000020390 | ||
كتاب | UAE Federation Library | مكتبة اتحاد الإمارات General Collection | المجموعات العامة | PN1997.5 .W455 2002 (إستعراض الرف(يفتح أدناه)) | C.2 | المتاح | 30020000020377 |
Browsing UAE Federation Library | مكتبة اتحاد الإمارات shelves, Shelving location: General Collection | المجموعات العامة إغلاق مستعرض الرف(يخفي مستعرض الرف)
PN1997 G596 1990 GoodFellas / | PN1997 G596 1990 GoodFellas / | PN1997.5 .W455 2002 Animation and America / | PN1997.5 .W455 2002 Animation and America / | PN1997.85 .I545 2017 Stage-play and screen-play : the intermediality of theatre and cinema / | PN1997.85 .I545 2017 Stage-play and screen-play : the intermediality of theatre and cinema / | PN1997.85 .R87 2005 Russian and Soviet film adaptations of literature, 1900-2001 : screening the word / |
Includes bibliographical references (pages 178-181) and index.
Includes filmography: pages 172-177.
Introduction: Abdicating All Mental Law -- 1. Animation and Modernism -- 2. The Disney Effect -- 3. Synaesthetics, Subversion, Television -- 4. New Disney, Old Stories? -- 5. New Animation Auteurs -- 6. United States of the Art.
"In Animation and America, Professor Paul Wells looks at animation in the United States afresh. He discusses the distinctiveness of the cartoon form and the myriad other types of animation production, insisting upon the 'modernity' of the form and its crucial importance as a barometer of the social conditions in which it was made, and which it reflects." "The book does not work as an orthodox history of animation in America, but rather uses animation as a way of discussing personal, social and political change, concentrating on the ways in which the form continues to grow, experiment and remain subversive while gaining increasing popular acclaim and recognition. Animation is now in the vanguard of visual culture per se: it occupies an important position in representing both the outcomes and impacts of new technologies - as it has always done - but it has also laid the foundations for a new understanding of social and artistic practice."--BOOK JACKET.