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The sound of innovation : Stanford and the computer music revolution / Andrew J. Nelson.

بواسطة:نوع المادة : نصنصالسلاسل:Inside technologyالناشر:Cambridge, MA : MIT Press, 2015وصف:ix, 236 pages : illustrations ; 24 cmنوع المحتوى:
  • text
نوع الوسائط:
  • unmediated
نوع الناقل:
  • volume
تدمك:
  • 9780262028769
  • 026202876X
الموضوع:تصنيف مكتبة الكونجرس:
  • ML33.S73 C464 2015
المحتويات:
Introduction -- Setting the stage -- The first movement -- Tension and release -- Duet for Stanford and Yamaha -- From exposition to development -- Plucking the Golden Gate Bridge -- Recapitulation and variations -- Coda.
ملخص:"In the 1960s, a team of Stanford musicians, engineers, computer scientists, and psychologists used computing in an entirely novel way: to produce and manipulate sound and create the sonic basis of new musical compositions. This group of interdisciplinary researchers at the nascent Center for Computer Research in Music and Acoustics (CCRMA, pronounced "karma") helped to develop computer music as an academic field, invent the technologies that underlie it, and usher in the age of digital music. In The Sound of Innovation, Andrew Nelson chronicles the history of CCRMA, tracing its origins in Stanford's Artificial Intelligence Laboratory through its present-day influence on Silicon Valley and digital music groups worldwide." -- Publisher's description.
المقتنيات
نوع المادة المكتبة الحالية رقم الطلب رقم النسخة حالة تاريخ الإستحقاق الباركود
كتاب كتاب UAE Federation Library | مكتبة اتحاد الإمارات General Collection | المجموعات العامة ML33.S73 C464 2015 (إستعراض الرف(يفتح أدناه)) C.1 Library Use Only | داخل المكتبة فقط 30020000035160

Includes bibliographical references (pages 209-226) and index.

Introduction -- Setting the stage -- The first movement -- Tension and release -- Duet for Stanford and Yamaha -- From exposition to development -- Plucking the Golden Gate Bridge -- Recapitulation and variations -- Coda.

"In the 1960s, a team of Stanford musicians, engineers, computer scientists, and psychologists used computing in an entirely novel way: to produce and manipulate sound and create the sonic basis of new musical compositions. This group of interdisciplinary researchers at the nascent Center for Computer Research in Music and Acoustics (CCRMA, pronounced "karma") helped to develop computer music as an academic field, invent the technologies that underlie it, and usher in the age of digital music. In The Sound of Innovation, Andrew Nelson chronicles the history of CCRMA, tracing its origins in Stanford's Artificial Intelligence Laboratory through its present-day influence on Silicon Valley and digital music groups worldwide." -- Publisher's description.

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