عرض عادي

Fixing landscape : a techno-poetic history of China's Three Gorges / Corey Byrnes.

بواسطة:نوع المادة : نصنصالسلاسل:Studies of the Weatherhead East Asian Institute, Columbia Universityالناشر:New York : Columbia University Press, [2018]وصف:xv, 322 pages, 16 unnumbered pages of plates : illustrations (some color), maps (some color) ; 24 cmنوع المحتوى:
  • text
نوع الوسائط:
  • unmediated
نوع الناقل:
  • volume
تدمك:
  • 9780231188067
الموضوع:تصنيف مكتبة الكونجرس:
  • DS793.Y3 B96 2018
المحتويات:
Tracing the gorges -- From trace to site -- Chinese landscape -- Chinese labor -- A record of the trace -- Ink in the wound.
ملخص:"This book is a cultural history of the Three Gorges, spanning 2,500 years and media as disparate as eighth-century poetry; travel essays and landscape painting from the twelfth through eighteenth centuries; nineteenth-century British travelogues, maps, and visual culture; and contemporary film, photography, and ink painting. Byrnes argues that the Three Gorges Dam exists not only because the geology and hydrology of the region make it possible, but also because of the symbolic weight the region had acquired over millennia of cultural representation. Fully understanding how the Three Gorges landscape was produced and reproduced forces us to cut through familiar developmental narratives about modern China to see the connections between premodern, modern, semi-colonial, and contemporary periods of Chinese history, an important endeavor at a time when politicians and artists alike are drawing on an ahistorical 'Chinese tradition,' the latter for aesthetic guidance, the former for legitimation. A methodologically hybrid book, Fixing Landscapes combines aspects of traditional Sinology with contemporary Chinese cultural studies, critical geography, art history, film studies, and theories of space and place. It is deeply engaged with the scholarship of the environmental humanities but it also seeks to broaden the horizons of that field to better reflect the importance of China"-- Provided by publisher.
المقتنيات
نوع المادة المكتبة الحالية رقم الطلب رقم النسخة حالة تاريخ الإستحقاق الباركود
كتاب كتاب UAE Federation Library | مكتبة اتحاد الإمارات General Collection | المجموعات العامة DS793.Y3 B96 2018 (إستعراض الرف(يفتح أدناه)) C.1 Library Use Only | داخل المكتبة فقط 30020000050708
كتاب كتاب UAE Federation Library | مكتبة اتحاد الإمارات General Collection | المجموعات العامة DS793.Y3 B96 2018 (إستعراض الرف(يفتح أدناه)) C.2 المتاح 30020000050707

Includes bibliographical references and index.

Tracing the gorges -- From trace to site -- Chinese landscape -- Chinese labor -- A record of the trace -- Ink in the wound.

"This book is a cultural history of the Three Gorges, spanning 2,500 years and media as disparate as eighth-century poetry; travel essays and landscape painting from the twelfth through eighteenth centuries; nineteenth-century British travelogues, maps, and visual culture; and contemporary film, photography, and ink painting. Byrnes argues that the Three Gorges Dam exists not only because the geology and hydrology of the region make it possible, but also because of the symbolic weight the region had acquired over millennia of cultural representation. Fully understanding how the Three Gorges landscape was produced and reproduced forces us to cut through familiar developmental narratives about modern China to see the connections between premodern, modern, semi-colonial, and contemporary periods of Chinese history, an important endeavor at a time when politicians and artists alike are drawing on an ahistorical 'Chinese tradition,' the latter for aesthetic guidance, the former for legitimation. A methodologically hybrid book, Fixing Landscapes combines aspects of traditional Sinology with contemporary Chinese cultural studies, critical geography, art history, film studies, and theories of space and place. It is deeply engaged with the scholarship of the environmental humanities but it also seeks to broaden the horizons of that field to better reflect the importance of China"-- Provided by publisher.

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