André Bazin, the critic as thinker : American cinema from early Chaplin to the late 1950s / translated and edited by R.J. Cardullo
نوع المادة :
نصاللغة: الإنجليزية الناشر:Rotterdam : Sense Publishers, 2017وصف:xx, 337 pages : illustrations ; 25 cmنوع المحتوى:- text
- unmediated
- volume
- 9789463008761
- PN1993.5.U6 B335 2017
| نوع المادة | المكتبة الحالية | رقم الطلب | رقم النسخة | حالة | تاريخ الإستحقاق | الباركود | |
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كتاب
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UAE Federation Library | مكتبة اتحاد الإمارات General Collection | المجموعات العامة | PN1993.5.U6 B335 2017 (إستعراض الرف(يفتح أدناه)) | C.1 | Library Use Only | داخل المكتبة فقط | 30020000065547 | ||
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كتاب
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UAE Federation Library | مكتبة اتحاد الإمارات General Collection | المجموعات العامة | PN1993.5.U6 B335 2017 (إستعراض الرف(يفتح أدناه)) | C.2 | المتاح | 30020000065546 |
Browsing UAE Federation Library | مكتبة اتحاد الإمارات shelves, Shelving location: General Collection | المجموعات العامة إغلاق مستعرض الرف(يخفي مستعرض الرف)
| PN1993.5 .M37 2015 الحداثة وفن الفلم : بنية الخطاب الدرامي-النسق المضمر-الفلم الشاعري / | PN1993.5.R9 W53 2012 Visions of a new land : Soviet film from the Revolution to the Second World War / | PN1993.5.U6 B335 2017 André Bazin, the critic as thinker : American cinema from early Chaplin to the late 1950s / | PN1993.5.U6 B335 2017 André Bazin, the critic as thinker : American cinema from early Chaplin to the late 1950s / | PN1993.5.U6 B674 2012 The Hollywood sign : fantasy and reality of an American icon / | PN1993.5.U6 B674 2012 The Hollywood sign : fantasy and reality of an American icon / | PN1993.5.U6 B674 2012 The Hollywood sign : fantasy and reality of an American icon / |
Includes bibliographical references (pages 241-324) and index
Westerns and Americans -- War and peace -- Stars and goddesses -- Fugitives and criminals -- Charles Chaplin -- Alfred Hitchcock -- Erich von Stroheim -- Preston Sturges -- Orson Welles -- William Wyler -- A Bazin bibliography
This book contains, for the first time in English in one volume, much if not all of Bazin's writings on American cinema. It also features a sizable scholarly apparatus, including a contextual introduction to Bazin's life and work, a complete bibliography of Bazin's writings on American cinema, and credits of the films discussed. This volume thus represents a major contribution to the still growing academic discipline of cinema studies, as well as a testament to the continuing influence of one of the world's pre-eminent critical thinkers
