Blood and home in early modern drama : domestic identity on the renaissance stage / Ariane M. Balizet.
نوع المادة : نصاللغة: الإنجليزية السلاسل:Routledge Studies in Renaissance Literature and Culture ; 25الناشر:Abingdon, Oxfordshire: Routledge, Taylor & Francis Group, 2018وصف:xii, 197 pages ; 24 cmنوع المحتوى:- text
- unmediated
- volume
- 9781138377516
- PR658.D65 B35 2018
نوع المادة | المكتبة الحالية | رقم الطلب | رقم النسخة | حالة | تاريخ الإستحقاق | الباركود | |
---|---|---|---|---|---|---|---|
كتاب | UAE Federation Library | مكتبة اتحاد الإمارات General Collection | المجموعات العامة | PR658.D65 B35 2018 (إستعراض الرف(يفتح أدناه)) | C.1 | Library Use Only | داخل المكتبة فقط | 30020000069834 | ||
كتاب | UAE Federation Library | مكتبة اتحاد الإمارات General Collection | المجموعات العامة | PR658.D65 B35 2018 (إستعراض الرف(يفتح أدناه)) | C.2 | المتاح | 30020000069833 |
Browsing UAE Federation Library | مكتبة اتحاد الإمارات shelves, Shelving location: General Collection | المجموعات العامة إغلاق مستعرض الرف(يخفي مستعرض الرف)
PR646 M33 2011 Persecution, plague, and fire : fugitive histories of the stage in early modern England / | PR646 M33 2011 Persecution, plague, and fire : fugitive histories of the stage in early modern England / | PR658.D65 B35 2018 Blood and home in early modern drama : domestic identity on the renaissance stage / | PR658.D65 B35 2018 Blood and home in early modern drama : domestic identity on the renaissance stage / | PR658.R43 D45 2010 Islamic conversion and Christian resistance on the early modern stage / | PR756.A9 S58 2008 Tudor autobiography : listening for inwardness / | PR756.A9 S58 2008 Tudor autobiography : listening for inwardness / |
Includes bibliographical references (pages 179-190) and index.
"In this volume, the author argues that blood was, crucially, a means by which dramatists negotiated shifting contours of domesticity in 16th and 17th century England. Early modern English drama vividly addressed contemporary debates over an expanding idea of "the domestic," which encompassed the domus as well as sex, parenthood, household order, the relationship between home and state, and the connections between family honor and national identity. The author contends that the domestic ideology expressed by theatrical depictions of marriage and household order is one built on the simultaneous familiarity and violence inherent to blood. The theatrical relation between blood and home is far more intricate than the idealized language of the familial bloodline; the home was itself a bloody place, with domestic bloodstains signifying a range of experiences including religious worship, sex, murder, birth, healing, and holy justice. Focusing on four bleeding figure -- the Bleeding Bride, Bleeding Husband, Bleeding Child, and Bleeding Patient -- the author argues that the household blood of the early modern stage not only expressed the violence and conflict occasioned by domestic ideology, but also established the home as a site that alternately reified and challenged patriarchal authority"-- Provided by publisher.