Surveillance and terror in post-9/11 British and American television / Darcie Rives-East
نوع المادة : نصاللغة: الإنجليزية الناشر:Cham, Switzerland : Palgrave Macmillan, 2019وصف:vii, 262 pages ; 23 cmنوع المحتوى:- text
- unmediated
- volume
- 9783030169008
- 3030169006
- 9783030168995
- PN1992.3.U5 R584 2019
نوع المادة | المكتبة الحالية | رقم الطلب | رقم النسخة | حالة | تاريخ الإستحقاق | الباركود | |
---|---|---|---|---|---|---|---|
كتاب | UAE Federation Library | مكتبة اتحاد الإمارات General Collection | المجموعات العامة | PN1992.3.U5 R584 2019 (إستعراض الرف(يفتح أدناه)) | C.1 | Library Use Only | داخل المكتبة فقط | 30030000005256 |
Browsing UAE Federation Library | مكتبة اتحاد الإمارات shelves, Shelving location: General Collection | المجموعات العامة إغلاق مستعرض الرف(يخفي مستعرض الرف)
PN1992.3.U5 G57 1994 Inside prime time / | PN1992.3.U5 M265 2005 Television in the antenna age : a concise history / | PN1992.3.U5 M265 2005 Television in the antenna age : a concise history / | PN1992.3.U5 R584 2019 Surveillance and terror in post-9/11 British and American television / | PN1992.3.U5 W35 1998 The broadcast television industry / | PN1992.3.U6 A43 2012 الفضائيات والمجتمع الاماراتي / | PN1992.3.U6 A43 2012 الفضائيات والمجتمع الاماراتي / |
1. Introduction: Surveillance and Terror in Post-9/11 British and American Television -- 2. Captive Viewers: Prisons, Captivity, and Social Control -- 3. Policing, Surveillance, and Terror--and the Return of Sherlock Holmes -- 4. We Spy: Espionage and the National Intelligence Agency -- 5. Conclusion: The Double Conditioning of Viewers, Surveillance, and Television
This interdisciplinary study examines how state surveillance has preoccupied British and American television series in the twenty years since 9/11. Surveillance and Terror in Post-9/11 British and American Television illuminates how the U.S. and U.K., bound by an historical, cultural, and television partnership, have broadcast numerous programs centred on three state surveillance apparatuses tasked with protecting us from terrorism and criminal activity: the prison, the police, and the national intelligence agency. Drawing from a range of case studies, such as Sherlock, Orange is the New Black and The Night Manager, this book discusses how television allows viewers, writers, and producers to articulate fears about an increased erosion of privacy and civil liberties following 9/11, while simultaneously expressing a desire for a preventative mechanism that can stop such events occurring in the future. However, these concerns and desires are not new; encompassing surveillance narratives both past and present, this book demonstrates how television today builds on earlier narratives about panoptic power to construct our present understanding of government surveillance