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The Black Hat Eccentric : Artistic Visions of the Tenth Karmapa / Karl Debreczeny ; With Contributions by Ian A. Alsop, David P. Jackson, Irmgard Mengele.

بواسطة:المساهم (المساهمين):نوع المادة : نصنصالناشر:New York : Rubin Museum of Art, 2012وصف:320 pages : illustrations ; 32 cmنوع المحتوى:
  • text
  • still image
نوع الوسائط:
  • unmediated
نوع الناقل:
  • volume
تدمك:
  • 9780977213108
  • 0977213102
  • 9780977213160
  • 0977213161
الموضوع:النوع/الشكل:تصنيف مكتبة الكونجرس:
  • N7349.C539 A4 2012
موارد على الانترنت:
المحتويات:
Founder's Statement -- Foreword -- Acknowledgments -- Introduction -- Chapter 1. The Artist's Life / By Irmgard Mengele -- Chapter 2. Early Artistic Career and Exile in Lijian -- Chapter 3. Set 1: Arhats: by the hand of the Master -- Chapter 4. Set 2: Arhats: Workshop Production -- Chapter 4. Set 3: Deeds of the Buddha: Workshop Production -- Chapter 6. Reevalutation Previously Attributed Works -- Chapter 7. Genre, Style, and Medium --- Chapter 8. Sculpture / By Ian Alsop -- Chapter 9. The Tenth Karmapas' Place in Tibetan Tradition -- Chapter 10. The Language of Art / By David Jackson -- Endnotes -- Bibliography -- Index.
ملخص:"The Tenth Karmapa Choying Dorje (1604-1674) was not only leader of the Karma Kagyu School of Tibetan Buddhism but also famous as a great artistic innovator. In particular his works are characterized by playful depictions of animals, which set him apart from other Tibetan artists. The Black Hat Eccentric is the first publication to focus on works by the hand of a single Tibetan historical artist. The centerpiece is an inscribed set of paintings dated 1660 from the Lijiang Municipal Museum in Yunnan Province, China. Paintings from a related set by the Karmapa's workshop form the other anchor for the project and demonstrate that teams of artists were trained in the Tenth Karmapa's fascinating and enigmatic style. Individual paintings and sculptures attributed to the Tenth Karmapa from collections worldwide are also considered and contextualized by these two aspects of his artistic production. This personal story of the life of the artist draws on his autobiographical writings as well as his many biographies to recount the dramatic historical events of the 17th century, especially as they negatively affected the Tenth Karmapa and his Kagyu School followers, thus casting a negative light on the Ganden Phodrang government of the Fifth Dalai Lama."--Publisher's website.
المقتنيات
نوع المادة المكتبة الحالية رقم الطلب رقم النسخة حالة تاريخ الإستحقاق الباركود
كتاب كتاب UAE Federation Library | مكتبة اتحاد الإمارات General Collection | المجموعات العامة N7349.C539 A4 2012 (إستعراض الرف(يفتح أدناه)) C.1 Library Use Only | داخل المكتبة فقط 30020000014407
كتاب كتاب UAE Federation Library | مكتبة اتحاد الإمارات General Collection | المجموعات العامة N7349.C539 A4 2012 (إستعراض الرف(يفتح أدناه)) C.2 المتاح 30020000014408

This catalog is published in conjunction with an exhibition organized and presented by the Rubin Museum of Art, New York, March 2 through July 30, 2012, and curated by Karl Debreczeny.

Includes bibliographical references (pages 312-316) and index.

Founder's Statement -- Foreword -- Acknowledgments -- Introduction -- Chapter 1. The Artist's Life / By Irmgard Mengele -- Chapter 2. Early Artistic Career and Exile in Lijian -- Chapter 3. Set 1: Arhats: by the hand of the Master -- Chapter 4. Set 2: Arhats: Workshop Production -- Chapter 4. Set 3: Deeds of the Buddha: Workshop Production -- Chapter 6. Reevalutation Previously Attributed Works -- Chapter 7. Genre, Style, and Medium --- Chapter 8. Sculpture / By Ian Alsop -- Chapter 9. The Tenth Karmapas' Place in Tibetan Tradition -- Chapter 10. The Language of Art / By David Jackson -- Endnotes -- Bibliography -- Index.

"The Tenth Karmapa Choying Dorje (1604-1674) was not only leader of the Karma Kagyu School of Tibetan Buddhism but also famous as a great artistic innovator. In particular his works are characterized by playful depictions of animals, which set him apart from other Tibetan artists. The Black Hat Eccentric is the first publication to focus on works by the hand of a single Tibetan historical artist. The centerpiece is an inscribed set of paintings dated 1660 from the Lijiang Municipal Museum in Yunnan Province, China. Paintings from a related set by the Karmapa's workshop form the other anchor for the project and demonstrate that teams of artists were trained in the Tenth Karmapa's fascinating and enigmatic style. Individual paintings and sculptures attributed to the Tenth Karmapa from collections worldwide are also considered and contextualized by these two aspects of his artistic production. This personal story of the life of the artist draws on his autobiographical writings as well as his many biographies to recount the dramatic historical events of the 17th century, especially as they negatively affected the Tenth Karmapa and his Kagyu School followers, thus casting a negative light on the Ganden Phodrang government of the Fifth Dalai Lama."--Publisher's website.

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