Museum pieces : toward the indigenization of Canadian museums / Ruth B. Phillips.
نوع المادة : نصالسلاسل:McGill-Queen's/Beaverbrook Canadian Foundation studies in art history ; 7.الناشر:Montréal [Québec] ; Ithaca [N.Y] : McGill-Queen's University Press, [2011]تاريخ حقوق النشر: ©2011وصف:xvi, 376 pages, [16] pages of plates : illustrations (some color) ; 26 cmنوع المحتوى:- text
- unmediated
- volume
- 9780773539051
- 0773539050
- 9780773539068
- 0773539069
- Indigenization of Canadian museums
- E76.85 .P455 2011
نوع المادة | المكتبة الحالية | رقم الطلب | رقم النسخة | حالة | تاريخ الإستحقاق | الباركود | |
---|---|---|---|---|---|---|---|
كتاب | UAE Federation Library | مكتبة اتحاد الإمارات General Collection | المجموعات العامة | E76.85 .P455 2011 (إستعراض الرف(يفتح أدناه)) | C.1 | Library Use Only | داخل المكتبة فقط | 30020000019207 | ||
كتاب | UAE Federation Library | مكتبة اتحاد الإمارات General Collection | المجموعات العامة | E76.85 .P455 2011 (إستعراض الرف(يفتح أدناه)) | C.2 | المتاح | 30020000019206 |
Includes bibliographical references and index.
part 1. Confrontation and contestation. Undoing the settler museum : showing off and showing up -- "Arrow of truth" : the Indians of Canada pavilion at Expo 67, with Sherry Brydon -- Moment of truth : The Spirit Sings as critical event and the exhibition inside it -- APEC at the Museum of Anthropology : the politics of site and the poetics of sight bite.
part 2. Re-disciplining the museum. Exclusions and inclusions : authenticity, sacrality, and possession -- How museums marginalize : naming domains of inclusion and exclusion -- Fielding culture : dialogues between art history and anthropology -- Disappearing acts : traditions of exposure, traditions of enclosure, and the sacrality of Onkwehonwe medicine masks -- Global travels of a Mi'kmaq coat : colonial legacies, repatriation, and the new cosmopolitanism.
part 3. Working it out. Indigenizing exhibitions : experiments and practices -- Making space : First Nations artists, the national museums, and the Columbus Quincentennial (1992) -- Cancelling white noise : Gerald McMaster's Savage Graces (1994) -- Threads of the Land at the Canadian Museum of Civilization (1995) -- Toward a dialogic paradigm : new models of collaborative curatorial practice -- Inside-out and outside-in : re-presenting Native North America at the Canadian Museum of Civilization and The National Museum of the American Indian (2003-2004).
part 4. Second museum age. Working with hybridity -- From harmony to antiphony : the Indigenous presence in a (future) Portrait Gallery of Canada -- Modes of inclusion : Indigenous art at the National Gallery of Canada and the Art Gallery of Ontario -- Digital (r)evolution of museum-based research -- "Learning to feed off controversies" : meeting the challenges of translation and recovery in Canadian museums.