Screening torture : media representations of state terror and political domination / edited by Michael Flynn and Fabiola F. Salek.

Includes bibliographical references and index.

Screening torture : an Introduction / Michael Flynn and Fabiola F. Salek -- Torture and the implications of masculinity. -- Countering the Jack Bauer Effect : an examination of how to limit the influence of TV's most popular, and most brutal, hero / David Danzig -- Mel Gibson's tortured heroes : from the symbolic function of blood to spectacles of pain / Lee Quinby -- It's a perfect world : torture, confession, and sacrifice / Michael Flynn and Fabiola F. Salek -- Torture and the sadomasochistic impulse. -- Lust, caution : torture, sex, and passion in Chinese cinema / Chris Berry -- The art of photogenic torture / Phil Carney -- Beyond Susan Sontag : the seduction of psychological torture / Alfred W. McCoy -- Stanley Kubrick's A clockwork orange as art against torture / Carolyn Strange -- Confronting the legacies of torture and state terror. -- "Accorded a place in the design" : torture in postapartheid cinema / Elizabeth Swanson Goldberg -- Confessing without regret : an Israeli film genre / Livia Alexander -- Torture and the shortcomings of film. -- Movies of modern torture as convenient truths / Darius Rejali -- Torture at the limit of politics / Faisal Devji -- Doing torture in film : confronting ambiguity and ambivalence / Marnia Lazreg -- Documenting the documentaries on Abu Ghraib : facts versus distortion / Stjepan G. Mestrovic.

Before 9/11, films addressing torture outside of the horror/slasher genre depicted the practice in a variety of forms. In most cases, torture was cast as the act of a desperate and depraved individual, and the viewer was more likely to identify with the victim rather than the torturer. Since the terrorist attacks of September 11, 2001, scenes of brutality and torture in mainstream comedies, dramatic narratives, and action films appear for little other reason than to titillate and delight. In these films, torture is devoid of any redeeming qualities, represented as an exercise in brutal senselessness carried out by authoritarian regimes and institutions. This volume follows the shift in the representation of torture over the past decade, specifically in documentary, action, and political films. It traces and compares the development of this trend in films from the United States, Europe, China, Latin America, South Africa, and the Middle East. Featuring essays by sociologists, psychologists, historians, journalists, and specialists in film and cultural studies, the collection approaches the representation of torture in film and television from multiple angles and disciplines, connecting its aesthetics and practices to the dynamic of state terror and political domination.