عرض عادي

Islam and romantic orientalism : literary encounters with the Orient / Mohammed Sharafuddin.

بواسطة:نوع المادة : نصنصاللغة: الإنجليزية London : I.B. Tauris, 1996وصف:xxxv, 296 p. ; 22 cmنوع المحتوى:
  • text
نوع الوسائط:
  • unmediated
نوع الناقل:
  • volume
تدمك:
  • 1860640265
  • 9781860640261
الموضوع:تصنيف مكتبة الكونجرس:
  • PR129.M54 S48 1996
المحتويات:
Landor's Gebir and the establishment of romantic Orientalism -- Southey's Thalaba and Christo-Islamic ethics -- Thomas Moore's Lalla Rookh and the politics of irony -- Byron's 'Turkish tales" and realistic Orientalism.
ملخص:This important intervention in the debate on orientalism takes a fresh look at some of the main literary texts from the Romantic period explored by Edward Said's classic work. Sharafuddin recognized elements of truth in the thesis that Western writers and scholars created an image of the Muslim 'Orient' as a place of tyranny, unreason and immorality destined to be subjected and exploited by the civilized West. However, he argues that in the work of such writers as Southey, Byron, Moore, Landor and Beckford, the world of Islam appears not as an antithesis to the world of European 'civilization', but rather as an alternative cultural reality with its own values. He explores the sense in which the work of these writers opens up the possibility for a knowledge of the Orient that does not simply confirm ideologies of Western power and hegemony. Themes of the exotic and the fanciful in fact had the effect of challenging the boundaries of Western-cent[e]red culture and thus created the conditions for a more positive perception of other cultures. Although this did not translate into a new political and literary openness, it did at least demonstrate the existence of a more complex cultural interaction between East and West. This admission has been completely sidelined in many recent debates on orientalism. Above all, Sharafuddin argues that the Romantic writers in question present a rich and subversive view of the Orient not simply informed by inherited stereotypes. This book will be of great interest to those concerned with the debate about orientalism and post-colonialism and to students of 19th-century literature.--Back cover.
المقتنيات
نوع المادة المكتبة الحالية رقم الطلب رقم النسخة حالة تاريخ الإستحقاق الباركود
كتاب كتاب UAE Federation Library | مكتبة اتحاد الإمارات General Collection | المجموعات العامة PR129.M54 S48 1996 (إستعراض الرف(يفتح أدناه)) C.1 Library Use Only | داخل المكتبة فقط 30020000048712

Includes bibliographical references (p. 283-288) and index.

Landor's Gebir and the establishment of romantic Orientalism -- Southey's Thalaba and Christo-Islamic ethics -- Thomas Moore's Lalla Rookh and the politics of irony -- Byron's 'Turkish tales" and realistic Orientalism.

This important intervention in the debate on orientalism takes a fresh look at some of the main literary texts from the Romantic period explored by Edward Said's classic work. Sharafuddin recognized elements of truth in the thesis that Western writers and scholars created an image of the Muslim 'Orient' as a place of tyranny, unreason and immorality destined to be subjected and exploited by the civilized West. However, he argues that in the work of such writers as Southey, Byron, Moore, Landor and Beckford, the world of Islam appears not as an antithesis to the world of European 'civilization', but rather as an alternative cultural reality with its own values. He explores the sense in which the work of these writers opens up the possibility for a knowledge of the Orient that does not simply confirm ideologies of Western power and hegemony. Themes of the exotic and the fanciful in fact had the effect of challenging the boundaries of Western-cent[e]red culture and thus created the conditions for a more positive perception of other cultures. Although this did not translate into a new political and literary openness, it did at least demonstrate the existence of a more complex cultural interaction between East and West. This admission has been completely sidelined in many recent debates on orientalism. Above all, Sharafuddin argues that the Romantic writers in question present a rich and subversive view of the Orient not simply informed by inherited stereotypes. This book will be of great interest to those concerned with the debate about orientalism and post-colonialism and to students of 19th-century literature.--Back cover.

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