The nation made real : art and national identity in Western Europe, 1600-1850 / Anthony D. Smith.
نوع المادة :
نصالناشر:Oxford : Oxford University Press, 2013الطبعات:First editionوصف:213 pages, 4 unnumbered pages of plates : illustrations (some color) ; 24 cmنوع المحتوى:- text
- unmediated
- volume
- 9780199662975
- 0199662975
- Nationalism -- Europe, Western -- History
- Nationalism -- Europe -- History
- Nationalism and art -- Europe, Western -- History
- Nationalism and art -- Europe -- History
- Nationalism -- Europe -- History -- 18th century
- Nationalism -- Europe -- History -- 19th century
- Nationalism -- Netherlands -- History -- 17th century
- Nationalism -- Great Britain -- History -- 18th century
- Nationalism -- Great Britain -- History -- 19th century
- Nationalism -- France -- History -- 18th century
- Nationalism -- France -- History -- 19th century
- Art -- Political aspects -- Europe -- History
- Art -- Political aspects -- Europe -- History -- 17th century
- Art -- Political aspects -- Netherlands -- History -- 17th century
- Art -- Political aspects -- Great Britain -- History -- 18th century
- Art -- Political aspects -- Great Britain -- History -- 19th century
- Art -- Political aspects -- France -- History -- 18th century
- Art -- Political aspects -- France -- History -- 19th century
- Painting, European -- 17th century
- Painting, European -- 18th century
- Painting, European -- 19th century
- Painting, Netherlandish
- Painting -- Netherlands -- History
- Painting, British -- 18th century
- Painting, British -- 19th century
- Painting -- Great Britain -- History
- Painting, French -- 18th century
- Painting, French -- 19th century
- Painting -- France -- History
- Sculpture, European -- 17th century
- Sculpture, European -- 18th century
- Sculpture, European -- 19th century
- Sculpture, Netherlandish
- Sculpture -- Netherlands -- History
- Sculpture, British -- 18th century
- Sculpture, British -- 19th century
- Sculpture -- Great Britain -- History
- Sculpture, French -- 18th century
- Sculpture, French -- 19th century
- Sculpture -- France -- History
- Art and society -- Europe -- History
- Art and society -- Europe -- History -- 18th century
- Art and society -- Europe -- History -- 19th century
- Art and society -- Netherlands -- History -- 17th century
- Art and society -- Great Britain -- History -- 18th century
- Art and society -- Great Britain -- History -- 19th century
- Art and society -- France -- History -- 18th century
- Art and society -- France -- History -- 19th century
- Art, European -- 17th century
- Art, European -- 18th century
- Art, European -- 19th century
- Art, Netherlandish
- Art, British -- 18th century
- Art, British -- 19th century
- Art, French -- 18th century
- Art, French -- 19th century
- Europe, Western -- Civilization
- Europe, Western -- History
- Europe -- Civilization -- 17th century
- Europe -- Civilization -- 18th century
- Europe -- Civilization -- 19th century
- Europe -- History -- 17th century
- Europe -- History -- 18th century
- Europe -- History -- 1789-1900
- N72.N38 S65 2013
| نوع المادة | المكتبة الحالية | رقم الطلب | رقم النسخة | حالة | تاريخ الإستحقاق | الباركود | |
|---|---|---|---|---|---|---|---|
كتاب
|
UAE Federation Library | مكتبة اتحاد الإمارات General Collection | المجموعات العامة | N72.N38 S65 2013 (إستعراض الرف(يفتح أدناه)) | C.1 | Library Use Only | داخل المكتبة فقط | 30010011142737 | ||
|
كتاب
|
UAE Federation Library | مكتبة اتحاد الإمارات General Collection | المجموعات العامة | N72.N38 S65 2013 (إستعراض الرف(يفتح أدناه)) | C.2 | المتاح | 30010011142738 |
Includes bibliographical references and index.
What role did visual artists play in the emergence and spread of nationalism and a sense of national identity? Focusing on late-eighteenth and early-nineteenth century Britain and France, this original study in the historical sociology of nations and nationalism analyses the contributions of artists in these and other West European countries to the creation of memorable images of the abstract concept of the nation. By employing different modes of depiction for conveying moral lessons, evoking the atmosphere of the homeland, and commemorating the fallen in battle, David, Ingres, Turner, Constable, and Friedrich, as well as a host of lesser artists, were able to make the national idea appear palpable and accessible, and the abstract concept of the nation seem 'authentic' and 'real'. After a brief description of the main themes of the visual record of Dutch nation-building in the seventeenth century, Anthony D. Smith presents an original comparative analysis of the rise of 'national art' in eighteenth-century Britain and France Sources other than Library of Congress.
Introduction : Nation and interpretation -- National imagery before 1600 -- The visual components of a nation -- Celebrating the nation -- Evoking the homeland -- Rediscovering the past -- Commemorating the fallen -- Conclusion : Patterns of national imagery.
