عرض عادي

Sacred exchanges : images in global context / Robyn Ferrell.

بواسطة:نوع المادة : نصنصالسلاسل:Columbia themes in philosophy, social criticism, and the artsالناشر:New York : Columbia University Press, [2012]تاريخ حقوق النشر: copyright 2012وصف:xii, 170 pages : illustrations ; 21 cmنوع المحتوى:
  • text
نوع الوسائط:
  • unmediated
نوع الناقل:
  • volume
تدمك:
  • 9780231148801 (cloth : alk. paper)
  • 0231148801 (cloth : alk. paper)
الموضوع:تصنيف مكتبة الكونجرس:
  • N72.P6 F47 2012
المحتويات:
Writing on art -- Art. Utopia ; Dreaming ; Abstraction ; Striking color ; The real power of color ; How painting began -- Culture. Global art, local knowledge ; The idea of the museum ; In translation ; A white thing ; Image logic ; Photojournalism -- Gender. Stolen culture ; Little children are sacred ; Mum's the word ; Crisis in representation ; Race and gender -- Law. Common law ; Feeling for justice ; Apartheid ; Discovery ; Radical difference ; Emily Incorporated.
ملخص:"As the international art market globalizes the indigenous image, it changes its identity, status, value, and purpose in local and larger contexts. Focusing on a school of Australian Aboriginal painting that has become popular in the contemporary art world, Robyn Ferrell traces the influence of cultural exchanges on art, the self, and attitudes toward the other. Aboriginal acrylic painting, produced by indigenous women artists of the Australian Desert, bears a superficial resemblance to abstract expressionism and is often read as such by viewers. Yet to see this art only through a Western lens is to miss its unique ontology, logics of sensation, and rich politics and religion. Ferrell explores the culture that produces these paintings and connects its aesthetic to the brutal environmental and economic realities of its people. From here, she travels to urban locales, observing museums and department stores as they traffic interchangeably in art and commodities. Ferrell ties the history of these desert works to global acts of genocide and dispossession. Rethinking the value of the artistic image in the global market and different interpretations of the sacred, she considers photojournalism, ecotourism, and other sacred sites of the western subject, investigating the intersection of modern art and postmodern culture. She ultimately challenges the primacy of the zEuropean gazey and its fascination with sacred cultures, constructing a more balanced intercultural dialogue that deemphasizes the aesthetic of the real championed by western philosophy."--Publisher's description.
المقتنيات
نوع المادة المكتبة الحالية رقم الطلب رقم النسخة حالة تاريخ الإستحقاق الباركود
كتاب كتاب UAE Federation Library | مكتبة اتحاد الإمارات General Collection | المجموعات العامة N72.P6 F47 2012 (إستعراض الرف(يفتح أدناه)) C.1 Library Use Only | داخل المكتبة فقط 30010011140962
كتاب كتاب UAE Federation Library | مكتبة اتحاد الإمارات General Collection | المجموعات العامة N72.P6 F47 2012 (إستعراض الرف(يفتح أدناه)) C.2 المتاح 30010011140963

Includes bibliographical references and index.

Writing on art -- Art. Utopia ; Dreaming ; Abstraction ; Striking color ; The real power of color ; How painting began -- Culture. Global art, local knowledge ; The idea of the museum ; In translation ; A white thing ; Image logic ; Photojournalism -- Gender. Stolen culture ; Little children are sacred ; Mum's the word ; Crisis in representation ; Race and gender -- Law. Common law ; Feeling for justice ; Apartheid ; Discovery ; Radical difference ; Emily Incorporated.

"As the international art market globalizes the indigenous image, it changes its identity, status, value, and purpose in local and larger contexts. Focusing on a school of Australian Aboriginal painting that has become popular in the contemporary art world, Robyn Ferrell traces the influence of cultural exchanges on art, the self, and attitudes toward the other. Aboriginal acrylic painting, produced by indigenous women artists of the Australian Desert, bears a superficial resemblance to abstract expressionism and is often read as such by viewers. Yet to see this art only through a Western lens is to miss its unique ontology, logics of sensation, and rich politics and religion. Ferrell explores the culture that produces these paintings and connects its aesthetic to the brutal environmental and economic realities of its people. From here, she travels to urban locales, observing museums and department stores as they traffic interchangeably in art and commodities. Ferrell ties the history of these desert works to global acts of genocide and dispossession. Rethinking the value of the artistic image in the global market and different interpretations of the sacred, she considers photojournalism, ecotourism, and other sacred sites of the western subject, investigating the intersection of modern art and postmodern culture. She ultimately challenges the primacy of the zEuropean gazey and its fascination with sacred cultures, constructing a more balanced intercultural dialogue that deemphasizes the aesthetic of the real championed by western philosophy."--Publisher's description.

شارك

أبوظبي، الإمارات العربية المتحدة

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