عرض عادي

Indo-Turkish architecture / Mansura Haidar ; edited by Halil Akinci

المساهم (المساهمين):نوع المادة : نصنصالناشر:Istanbul, Turkey : Archaeology and Art Publications, 2010وصف:192 pages : illustrations ; 23 cmنوع المحتوى:
  • text
نوع الوسائط:
  • unmediated
نوع الناقل:
  • volume
تدمك:
  • 9786053960638 (hbk)
  • 6053960632 (hbk)
الموضوع:تصنيف مكتبة الكونجرس:
  • NA1502 I536 2010
ملخص:The present work aims to study some selected examples of medieval architecture in India from the eleventh to seventeenth centuries. Although numerous valuable works already exist on this theme, as a comparative study highlighting external influences on Indian architecture of the middle ages this work remains unique, as the brief exchanges between the two lands of Turkey and India in the sphere of architecture are yet to be evaluated and highlighted. It is in this context, that such a study seemed worth attempting. The impact of Turkish culture, which itself internally combines both Turco-Mongol and Perso-Islamic features had left an indelible stamp on the sphere of fine arts in India- the extent, depth and effect of which has yet to be determined and assessed. It is the simple rationale behind the current endeavour.
المقتنيات
نوع المادة المكتبة الحالية رقم الطلب رقم النسخة حالة تاريخ الإستحقاق الباركود
كتاب كتاب UAE Federation Library | مكتبة اتحاد الإمارات General Collection | المجموعات العامة NA1502 I536 2010 (إستعراض الرف(يفتح أدناه)) C.1 Library Use Only | داخل المكتبة فقط 30010011135625

Includes bibliographical references (pages 191-192)

The present work aims to study some selected examples of medieval architecture in India from the eleventh to seventeenth centuries. Although numerous valuable works already exist on this theme, as a comparative study highlighting external influences on Indian architecture of the middle ages this work remains unique, as the brief exchanges between the two lands of Turkey and India in the sphere of architecture are yet to be evaluated and highlighted. It is in this context, that such a study seemed worth attempting. The impact of Turkish culture, which itself internally combines both Turco-Mongol and Perso-Islamic features had left an indelible stamp on the sphere of fine arts in India- the extent, depth and effect of which has yet to be determined and assessed. It is the simple rationale behind the current endeavour.

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